It’s the late 1980s – chosen as a transition from one set of codes, meanings, confrontations, confusions, and stereotypes regarding American black people during the mid-late 1970s to another set which settled hard into place by the mid-1990s. Read the rest of this entry
I can imagine the senior editor logic easily, upon seeing the mid-late 80s Suicide Squad pitch: “hey, the fans evidently want raw meat, Marvel’s massacring mutants, we have all these useless and unmarketable villains lying around, might as well blow’em up, one by one, or two by two if the plot needs it.” Oooh, awesome, here’s a fictional context for using them as cannon fodder so we can enter the “we’re gritty too” body count competition.
You know how “smart” in comics actually means stupid? This time, as they often did in Suicide Squad, John Ostrander and Kim Yale pulled a reversal: a character introduced as a superficial fanatic, never billed as or discussed otherwise, who was smart as a whip. Wikipedia tells me he only appeared in twenty-two comics issues, ever, associated only with this series, but they were solid gold.