Six li’l issues of The Avengers. Do they really bear the whole weight of the history of Marvel Comics, and perhaps even of fan culture’s creative intestinal torsion? It can’t be that simple, but even at age thirteen-fourteen, I knew something was happening.
In one of the letter columns in the late-80s Question, Denny O’Neil refers to Peter Parker as a schlep, and always having been one. That’s Yiddish, and a little confusing because that precise word is a verb meaning to lug something inconvenient, but here, and as I’ve often heard or used it, it’s short for schlepper, meaning an inept, stupid person.
I love me a timeline. This one’s built mostly from Sean Howe’s Marvel Comics: The Untold Story, mainly because I couldn’t help but scribble it out as I went along. In the year since I did that, so many of my posts presume knowledge of the content that it’s simply good sense to get the thing on-line for reference.
Ask any comics fan: over thataway is Marvel and it’s [insert string of fervent adjectives and loaded nouns], and over thisaway is DC and it’s [insert string of fervent adjectives and loaded nouns]. You choose your flag and you wave it. The rest are fringe. As my Brit Lit informed me, it’s “RCs to the right, Prods to the left, and fancy buggers in the middle.”
I usually don’t blog what-happened-just-now style, but right now it fits. Today (Nov 29) featured the second time in a week, and in my whole life, that a working person who happened to be black addressed me – 50ish, white – as “boss.” Read the rest of this entry
One does not discuss superhero comics without considering John Byrne most seriously. Read the rest of this entry
In 1976, my first issue of FOOM came in the mail, about Jack Kirby’s return to Marvel. He actually hadn’t been gone all that long, but at that time DC and Marvel were perceived as Ormadz and Ahriman, and even that was too vague for me to process because the Marvel fanfare said nothing about what he’d been doing during his … uh, hiatus “over there,” i.e., the New Gods collectively speaking, and others.
In digging around the internet to find out what those pictures in my memory are, I initially thought that my most cherished issue of my original hoard must have been one of the Astonishing Tales stories, by Roy Thomas and Wally Wood, 1971. But no! It was the one-shot prequel to that series, published in Marvel Superheroes! #20, 1969, also by Thomas and with extremely of-the-moment art credits: Frank Giacoia (artist), Larry Lieber (pencils), Vince Colletta (inks).
The Koch bros don’t give a shit, no pun intended, whether you buy Quilted Northern or Angel Soft, because they own them both.
Some years ago some venture capitalists found that, inexplicably, you can sell even more cheap paper to people if you invest a bit in writing on it and coloring it first. Comics are a particularly simple form of that kind of paper. The primary cost is buying it and distributing it in slightly altered form, with some writing and coloring, folded this way or that, with staples or whatever.