Of my old comics, one of the very few left in my possession is the huge magazine-style version of Robert E. Howard’s “Red Nails,” adapted by Roy Thomas and Barry [Windsor] Smith (originally in Savage Tales #2-3; here reprinted in color). There is no point in trying to articulate Smith’s presence and creative force in comics. Just … look at this.
It’s the worst thing ever to happen to my experience of Marvel and other superhero comics.
In digging around the internet to find out what those pictures in my memory are, I initially thought that my most cherished issue of my original hoard must have been one of the Astonishing Tales stories, by Roy Thomas and Wally Wood, 1971. But no! It was the one-shot prequel to that series, published in Marvel Superheroes! #20, 1969, also by Thomas and with extremely of-the-moment art credits: Frank Giacoia (artist), Larry Lieber (pencils), Vince Colletta (inks).
BONUS POST: Thanks to Markku Tuovinen and his March pledge at the Doctor Xaos Patreon!
Let’s say that you’re a comics creator or line editor, and probably due to simple absence or neglect of infrastructure, something gets written in that comic for real. Specifically, your villain character has a point. His or her grievance is valid. His or her rebellion is justified. His or her determination is admirable.
The Koch bros don’t give a shit, no pun intended, whether you buy Quilted Northern or Angel Soft, because they own them both.
Some years ago some venture capitalists found that, inexplicably, you can sell even more cheap paper to people if you invest a bit in writing on it and coloring it first. Comics are a particularly simple form of that kind of paper. The primary cost is buying it and distributing it in slightly altered form, with some writing and coloring, folded this way or that, with staples or whatever.