You got politics in my superheroes, shock! … and superheroes in my politics, too?! Shock and outrage!
Too bad, sweet pea. That’s just how things are and always have been. I’ll tell you why: because comics are political, either via implication due to their junk-product nature which is forced to be close to life to be consumed at all, or explicitly because you can get away with it when no one vets them (or barely). So it’s not “superheroes” I’m talking about necessarily, but rather, superheroes in comics. Political. Put it up your ass and smoke it.
This is the third of four planned posts about Spider-Man as Stan Lee’s novel, running from the original appearance in Amazing Adult Fantasy #15 through Spider-Man #100. Read the rest of this entry
September is Cosmic Zap month here at Doctor Xaos Comics Madness, and today I’m talking about its remarkably early onset. Read the rest of this entry
BONUS POST: Thanks to Markku Tuovinen and his July pledge at the Doctor Xaos Patreon!
So my long-standing claim is that Lee’s run on Spider-Man – technically, Amazing Adult Fantasy #15 and The Amazing Spider-Man #1-100 is a straightforward and excellent novel. This is the first of four planned posts about that.
Just a minute here to talk about a comics supervillain whose type doesn’t figure into Doctor Xaos, neither lesser nor ultra, but rather personal, who is primarily dangerous due to what he knows, how he’s related to the hero through ordinary ties, and what flips his switch.
In digging around the internet to find out what those pictures in my memory are, I initially thought that my most cherished issue of my original hoard must have been one of the Astonishing Tales stories, by Roy Thomas and Wally Wood, 1971. But no! It was the one-shot prequel to that series, published in Marvel Superheroes! #20, 1969, also by Thomas and with extremely of-the-moment art credits: Frank Giacoia (artist), Larry Lieber (pencils), Vince Colletta (inks).