In the one-step-removed setting of the original Watchmen by Alan Moore and Dave Gibbons, the president of the United States is the geriatric Richard Nixon in 1985, evidently president-for-life. In one respect, it’s not as fantastic as it seems: Ronald Reagan (born 1911) was actually older than Nixon (born 1913), thus “this geezer in the White House” as depicted in the comic – set in 1985, published in 1986 – was literally happening.
In general this blog makes the case that 1970s culture in particular was not a hive of evil ignorance as I often see it described, but then again … Read the rest of this entry
This is how I met the Black Panther, 1973-1974, age nine and ten, with “Panther’s Rage” in Jungle Action #6-19. Read the rest of this entry
It was an amazing comic. A man has become a muck-monster, his humanity just a memory, seemingly limited to minor human-interest horror-adventures in a swamp, but somehow a magnet for society’s psychological ills, even attuned to cosmic insights, and eventually limping, looming into the central intersection of ultimate forces … Yeah, it’s great, man, Alan Moore’s Swamp Thing was really someth — wait, you’re talking about 1973?
It took a lot of working out the context in my mind, but I’m finally ready to look at a very interesting species of comics villain.
Superman, Captain Marvel. Captain Marvel, Marvelman. Marvelman, Captain Miracle. Marvelman, Marvelman reboot. Marvelman reboot, Miracleman. Paralleled by a completely different Captain Marvel too, oh wait, like four of them, plus Ms. Marvel, oh wait, three of them. What th’fuck?
Steve Long and I are gearing up for our showdown to conclude the jointly-written series on comics vigilantes, or at least a particular cultural wave of them, but I decided I was just not feeling done. Here’s one more – that is, before the finale – for a brief look at other strong contributors, responses, and alternatives within the 80s-90s more-or-less mainstream comics vigilante scene.
The vigil continues with this post from Steven S. Long, regarding that comics paragon of sanity and restraint – not that we want to go diving headfirst into anything, as many would agree. Read the rest of this entry
In the course of scribbling our vigilante posts and rejoinders therein, Steve and I realized something. Read the rest of this entry
I’ve mentioned the political angle of the 80s British invasion into U.S. comics, in Looking for a hero. This was most relevant to me regarding John Constantine in Jamie Delano’s Hellblazer, in which he definitely became his own thing relative to his original appearances in Swamp Thing. Read the rest of this entry