There is, in so many of the cosmic-y comics I like so much, the notion of a “node,” or “critical turning point.” It can be an object, it can be a person, it can be an event or set of events. Maybe it’s Hegelian or Nietzschean or some other 19th-century German-ian – as in its operation, there’s reconciliation with the past, but also a distinct discontinuity; there’s redemption and transformation and realization, but also a dramatic necessity for blood-and-guts violent confrontation; there’s the sense of throwing off all the taboos to find both the depths of depravity and the chorus of angels all in the same moment. It’s idealism and excess, horror and exaltation. Plus boobies. Read the rest of this entry
This is Marshal Law post #2, out of (as currently conceived) five. Read the rest of this entry
My brother’s Avengers run ended in the high hundred-teens, and I started buying issues in the 130s or 140s, so as I filled in the gap, issue by issue, and bought new ones, the Mantis story was a main focus for me.
BONUS POST: Thanks to Markku Tuovinen and his March pledge at the Doctor Xaos Patreon!
Let’s say that you’re a comics creator or line editor, and probably due to simple absence or neglect of infrastructure, something gets written in that comic for real. Specifically, your villain character has a point. His or her grievance is valid. His or her rebellion is justified. His or her determination is admirable.