Blog Archives

Context Too!

The industry-history story of U.S. comics is about DC. There’s no history of Marvel, Dell, Fawcett, Archie, and Gold Key, or their related media without DC in place for the bigger context. Read the rest of this entry

… to see something really scary?

why whatever do you mean, "that's fucked-up?"

Why whatever do you mean, “that’s fucked-up?”

There is, in so many of the cosmic-y comics I like so much, the notion of a “node,” or “critical turning point.” It can be an object, it can be a person, it can be an event or set of events. Maybe it’s Hegelian or Nietzschean or some other 19th-century German-ian – as in its operation, there’s reconciliation with the past, but also a distinct discontinuity; there’s redemption and transformation and realization, but also a dramatic necessity for blood-and-guts violent confrontation; there’s the sense of throwing off all the taboos to find both the depths of depravity and the chorus of angels all in the same moment. It’s idealism and excess, horror and exaltation. Plus boobies. Read the rest of this entry

Missed! Ran out! Dang! Unnhh!

spiderwoman1Let’s begin with a serious observation: this is art by Carmine Infantino we’re talking about, and that is a woman’s body for a woman character – no “objectification,” no high heels, no prancing model-on-runway posture. Read the rest of this entry

And the horse you rode in on

visionhyperionAsk any comics fan: over thataway is Marvel and it’s [insert string of fervent adjectives and loaded nouns], and over thisaway is DC and it’s [insert string of fervent adjectives and loaded nouns]. You choose your flag and you wave it. The rest are fringe. As my Brit Lit informed me, it’s “RCs to the right, Prods to the left, and fancy buggers in the middle.”

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Todd's Blog

Todd Klein on lettering, literature and more

Longbox Graveyard

Marvel and DC comics and community